Joe Kubert is one of the great comic book artists. His career literally traverses the history of comics, beginning in 1938 when he became a professional at age 12, to today as one of the greatest draftsmen working in the field. Kubert is known and respected as much for his sinewy, passionate drawing as he is for his consummate storytelling skills.

In those countless cheap and long forgotten men's humor magazines, Ward's voluptuous "girly" drawings shared the pages with photos of Bettie Page and Mamie Van Doren, and pin-up cartoons by the likes of Archie's Dan DeCarlo and Playboy magazine's Jack Cole. Thumbing through those digests, it quickly becomes evident that Ward was Humorama's

The Camino de Santiago is a 500 mile, historic pilgrimage route to Santiago de Compostela in northwestern Spain. It is walked by thousands every year, both Christians and non-believers. To mark his 50th birthday, the brilliant Norwegian cartoonist Jason decided that walking the length of the Camino was what he needed to do. On the Camino is

It begins in the year 1900, with the scream of a newborn. It ends, 100 pages later, in the year 2000, with the death rattle of a 100-year-old man. The infant and the old man are both Julio, and Gilbert Hernandez’s Julio’s Day (originally serialized in Love and Rockets Vol. II but never completed until now) is his latest graphic novel, a

Cochlea & Eustachia appear to be twin human girls, but this has yet to be confirmed. Their actions seem to be motivated less by curiosity than boredom and an inclination towards purposeless destruction. Any connate objective remains to be determined. They never stray apart from each other, out of an unspoken proclivity. Perhaps they keep together

Sometimes getting together with friends and family for Thanksgiving isn't all that it's cracked up to be, as Snoopy learns when his brother Spike invites him to spend Thanksgiving in the desert, and things don't quite work out as planned. At least it's a change of pace for Snoopy, who spends most Thanksgivings with the ol' supper dish (and one

The Publisher of the World's Greatest Cartoonists has pulled out the stops for this year's Free Comic Book Day, commissioning all-new, exclusive work from the following comics heavyweights: Noah Van Sciver (Fante Bukowski), Simon Hanselmann (Megahex), Jason (Los Cat), Ed Piskor (Hop Hop Family Tree), Liz Suburbia (Sacred Heart), Dash Shaw

White Flower Day is an all-ages humor graphic novel starring a precocious gang of supernatural kids: Pullapart Boy, Kid Medusa, Li'l Bloody (a vampire toddler), the Li'l Tin Stars, and more. Think Hal Roach's classic Our Gang comedies (before child labor laws made them impossible to replicate, unless you're a cartoonist) meets the Universal

It's hard to recall a time when Steven Weissman's adorable and idiosyncratic cartoon creations weren't a part of our lives, hustling about "Milltown," perfectly drawn and perfectly awful. The cast seemed to appear fully formed by the end of the 1990s, and ready for their "close up." Every success story has its humble — or arrogant and

Hilarious, frightening, mysterious, adorable and utterly bleak, Chocolate Cheeks has arrived to disgust and delight comic-book readers of all ages. “Sweet” Chubby Cheeks and the Pullapart Boy (a 21st Century Frankenstein’s monster for kids) are driving each other crazy. Forced together by their dating parents, these two bitter enemies have

Chewing Gum in Church is the new "Yikes" book by Steven Weissman, starring "Sweet" Chubby Cheeks, Kid Medusa, the Pullapart Boy, Elzie Crisler, Dead Boy, X-Ray Spence and, of course, Li'l Bloody. In a series of one page strips, this cast, having survived enough adventures to fill three mass-market paperbacks, now "settles" into a daily routine of

When Jack Davis took up his pen for EC Comics, he made his innocent victims more eye-poppingly terrified, his ax-murderers more gleefully gruesome, and his vampires and werewolves more bloodthirsty and feral than any other artist. These horror and suspense tales — from the pages of Vault of Horror, Haunt of Fear, Crime SuspenStories, and Shock

With his eerily crisp, contemporary graphic style, Johnny Craig was the “Mr. Clean” of EC horror comics. (“Cleanest horror stories you ever saw!” said his colleague, artist Wallace Wood.) Eschewing outright blood and gore, Craig imbued his stories with his signature brand of terror, foreshadowing the inevitable shock to come by

Toth's influence on the art of comic books is incalculable. As his generation was the first to grow up with the new 10-cent full-color pamphlets, he came to the medium with a fresh eye, and enough talent and discipline to graphically strip it down its to its bare essentials. His efforts reached fruition at Standard Comics, creating an entire

Working in comic books for just over a decade in the 1940s and '50s, Bernard Krigstein applied all the craft, intelligence, and ambition of a burgeoning "serious" artist, achieving results that remain stunning to this day. While his legend rests mostly on his landmark narratives created for EC Comics, dozens of stories for lesser publishers

Behold Bullwhip: the mysterious crimefighter sworn to keep Metro City’s streets safe from villainy and violence! Writer Josh Bayer, acclaimed artist Ben Marra (TERROR ASSAULTER: O.M.W.O.T.), and Firestorm co-creator Al Milgrom team up for the startling story “Web of Oblivion!”, which pits our hero against The Misogynist, Raingod, and the

This highly anticipated collection features over two dozen science fiction stories brimming with Wallace Wood's meticulously detailed, genre-defining brushwork. Included are titles like "Spawn of Mars," "The Dark Side of the Moon," "A Trip to a Star," "The Invaders," "The Secret of Saturn's Ring," and "The Two-Century Journey." Like every book in

Choose between the original cover, designed by Jaime, or the Fantagraphics exclusive variant, designed by Gilbert. The comic book event of 2016! Love and Rockets is back as an all-new, ongoing comic book series (Vol. IV for those keeping track at home)! On Jaime’s side: What do you do when none of your old punk friends want to be punk any more?

In 1976, a group of young men and women coalesced around a fledgling magazine and the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We